Wednesday, April 24, 2013

Rolling Stones Bob Dylan Special

    This week I've been reading the Rolling Stones magazine special edition on Bob Dylan (40 years of interviews) before I pass it on to an at least equally interested friend.  Realized today that my mother was born the same year as Bob.  Funny thing is, both my parents lived through the 60's, 70's, 80's...well, until now, without mentioning him or any popular artists of those decades to us kids.  Actually, there was one exception.  I remember our family driving in the Swiss Alps, listening to radio news when my Mother exclaimed in shock that Elvis Presley (whom I'd never heard of till then) had died.

     To me it's like there were other continents they never mentioned or the world being round but I had to find out 2 decades later than everyone else.  Baffling.  Sometimes I wonder if I'll ever catch up.

Friday, April 19, 2013

A Cure for Gravity

I found this book randomly at the library and am a third of the way through.  Not offering opinions on Joe Jackson's music because I haven't consciously heard it, but I'm searching for worthy adjectives for his writing.

The back of the book says,"Honest, funny, wise and inspiring; tells you more about music and the love of music than a shelf-full of textbooks." Still not adequate.

For me it's a feast for my funny bone and my word bone if I have one.

From my reading so far here are some quotes:

pg. 75 "This pub not only had a piano but..a 1902 Blechstein...which had lain dormant, like a volcano, for many years."

pg. 81 "My Mother was fixated on the idea that I should become a music teacher....I told her I'd rather be boiled in oil."

pg. 108  "...none of us could cook.  Jude tried; she battled tragically with the kitchen."

pg. 114  "The Big Time..was a place where you might become more, rather than less, vulnerable."

pg. 114, 115  "Music was more than just a hobby and more than just a job.  I was in this for keeps, no matter how vulnerable I might feel..."

pg. 115 "Critics...one thing we cannot afford to let a critic be is a guiding light.  An artist who lets critics make his decisions for him is doomed."

Thursday, March 21, 2013

Grunewald Guild

Grunewald is an Arts Guild in Washington state which hosts retreats and courses.  I just got to spend a few days there. The property has studios for pottery, weaving, glass arts, print arts and more.  Art is everywhere on campus.  Volunteers can help out on the property in exchange for taking classes.  Permanent staff fill multiple roles and guest artisans and teachers join them from time to time.  


Above is the buffet counter in the communal dining area with a thickly textured plaster wall.  Below is facing the kitchen and self serve hot beverage area.  Each post was painted.  Behind the closest post is a small coffee table with a mosaic top.  Dining tables were covered in colorful fabrics and guests picked one of a kind cloth serviettes for their meals.  Many cups and bowls had been made on site in the pottery studio. Meals were hearty, earthy and delicious.

Below is the central meeting area surrounded by shelves full of art books and created things.  Lofts above either side were piled with over sized cushions. The guild's core value is hospitality and is modeled after the Benedictine monastic order.  For group sessions candles covered most surfaces and the wood stove burned in the evenings.

A view over the dormant garden to the library building in the trees. Nice bit of architectural salvage in the fence.

The back wall of the central building with more architectural salvage from an old church and pottery chimes hanging over the back porch on long cords.

 The guild library with stained glass windows.  One wall of books was devoted to spirituality.  A medium sized section held fiction and the rest was overflowing with books on creativity and art.


A very large painting in the stairwell of the building where I stayed.  Interesting dripped paint effect.


                              These stained glass windows were in bathrooms/restrooms.




      A large window in the central lounge/meeting area, sometimes obscured by a power point screen when art images were being shown.



The people we met on staff and at the retreat were as varied as the artwork everywhere, as were their philosophies of life.  An inspiring but also mentally and spiritually challenging stay.

Thursday, March 14, 2013

Ron Findley: Guerrila Gardener


                   Ron says gardening is his graffiti and his art.   His inner city gardens transform the lives of neighbors on multiple levels.  "Food is the problem and the solution."  "If kids plant kale, they eat kale."

Tuesday, March 12, 2013

Outdoor painting experiment


           So, I thought I'd try painting outdoors like people in books or movies about artists.  Had 5 canvases to fill for a children's classroom.  The nice thing about being outside was catching some rare late February sunshine and not worrying about dripping paint.  Less appealing was discovering how many bugs like wet paint.  Especially black for some reason.  Camouflage?

Gallery class


     My youngest and I checked out a free family art class at a local gallery this past weekend.  A staff person told kids and parents about a few famous landscape artists, showing digital images of their work.  Then she walked us through this gallery's current display with its regional mountain/wilderness theme.  Finally we got to make a 3 D project as family teams or individually, using cardboard boxes, pre-made cardboard "mountains", masking tape, scissors and paints.
    This is mine.  It has 4 small pink mountains with snow-caps and a cascading stream that is sunk lower than the box top.  I liked adding pieces of cardboard with the smooth top ripped off to show the corrugation.  (See blog entry called Triptych for another corrugated project)  Fun to have to create something in about an hour.

Advent Painting 2012

           
                                 
                             
                        An Advent painting I did for this past year.  About 8 x 5 feet.  The idea emerged on an unpremeditated sketch as if it was waiting for me to start drawing so it could appear.  I was really pleased with the multiple layers of events and meaning that entered this picture and am still seeing new things in it.  One person came up to me after it was hung and asked me if I intended the meaning they saw in it.  Yes, I said! One out of comment-less crowds.  But it meant a lot and reminded me how important it is to tell other artists what I appreciate about their work.